At twenty-six, Emma Roberts comes to the painful realization that if she is ever to become truly independent, she must leave her comfortable London flat and venture into the wider world. This entails not only breaking free from a claustrophobic relationship with her mother, but also shedding her inherited tendency toward melancholy. Once settled in a small Paris hotel, Emma befriends Fran?oise Desnoyers, a vibrant young woman who offers Emma a glimpse into a turbulent life so different from her own. In this exquisite new novel of self-discovery, Booker Prize-winner Anita Brookner addresses one of the great dramas of our lives: growing up and leaving home.From the Trade Paperback edition.

When the Jarrett Creek Fire Department is called to douse a blaze on the outskirts of town, they discover a grisly scene: five black youths, ages thirteen to twenty-five, have been murdered. Newly elected Chief of Police Samuel Craddock, just back from a stint in the Air Force, is asked to help the Texas Rangers with the investigation. Before long, the Rangers arrest Truly Bennett, Craddock's onetime confidant.The scene of the crime reveals evidence of a drugs-and-prostitution ring, and the name and address of Truly's sister are found in the home of one of the victims. The Ranger heading up the investigation believes that Truly committed the murders to prevent his sister from being forced into prostitution. Craddock has trouble believing that Truly would have been capable of this heinous crime. Meanwhile, he's also dealing with his ne'er-do-well brother and sister-in-law, both of whom are doing drugs.As the new Chief of Police, will Craddock have to arrest members of...

Dr. Dulcinea Chamber's old boyfriend, the adventurous, fun-loving, and decidedly good-looking Brendan MacArthur, reappears with a unique gift for the Maine Museum of Art: a very old bottle of wine, one of several that he found in a shipwreck while scuba diving in Maine's cold Atlantic waters. With museum attendance low during a particularly brutal winter, Dulcie knows exactly what to do. The museum will host a wine tasting as a fundraiser featuring this old vintage. But when an icebreaker busts through the pack ice in Portland harbor the day after the festivities, the crew makes a gruesome discovery. Someone from the party didn't make it home, and instead wound up among the bobbing gray-blue sheets of ice floating from one side of the harbor to the other.Dulcie's knowledge of wine is needed by detective Nicholas Black as he sorts through the details of this case, but their budding relationship is also put to the test. Brendan MacArthur's sudden reappearance irritates Nick. Does he...

This clear and concise new introduction examines all the major debates and issues in the field of art history, using a wide range of well-known examples. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history.Other topics covered include the canon of art history, the role of the gallery, "blockbuster" exhibitions, the emergence of social histories of art (such as feminist art history or queer art history), and the impact of photography. The development of art history using artifacts such as the altarpiece, the portrait, or pornography to explore social and cultural issues such as consumption, taste, religion, and politics is discussed. And the book also explains how the traditional emphasis on periods and styles originated in western art production and can obscure other approaches.

This book is first a dialogue between a daughter and a father about life, physical sensation, mortality. Both seem to listen to the other with great attention. Secondly it is the extraordinary vehicle for a series of insights into the everyday life and the art of the great Venetian master, following an uncanny incident at the large exhibition of his work staged in Venice in 1990. While attending the exhibition Katya meets an old man, who she becomes convinced can only be the ghost of the great painter. Her 'spiritual' visitor engages her in conversation about the minute particularities of painting some of the pictures there. She shares this experience with her father in a letter. He accepts the encounter at face value and discusses the historical background to the old man's remarks, seeking answers to a series of evidential questions about his daughter's encounter.

In her superbly accomplished new novel, Anita Brookner proves that she is our mast profound observer of women's lives, posing questions about feminine identity and desire with a stylishness that conveys an almost sensual pleasure.From the moment Jane Manning first meets her aunt Dolly, she is both fascinated and appalled. Where Jane is tactful and shy, Dolly is flamboyant and unrepentantly selfish, a connoisseur of fine things, an exploiter of wealthy people. But as the exigencies of family bring Jane and Dolly together, Brookner shows us that we may end up loving people we cannot bring ourselves to like -- and that this paradox makes love all the more precious and miraculous.

Brookner explores the complications that arise when one solitary man comes up against a woman who seems determined to invade his solitude. George Bland is an aging bachelor whose existence has been virtually a mirror image of his name--up until now. For into George's life walks Katy Gibb, young, abrasively self-assured, who incites in George the most alarming feelings.